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ANDRE BAZIN ONTOLOGY OF THE PHOTOGRAPHIC IMAGE PDF

Beginning his essay, André Bazin dives right into the practice of embalming, how ancient Egyptians used to mummify bodies and keep them. Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image. andrebazincat. Andre Bazin is undoubtedly a famous figure in. “The Ontology of the Photographic Image” examines how the plastic arts preserve humans and reality through representation. Photography.

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They freed the plastic arts from their obsession with likeness. Because, however, pyramids and labyrinths could be pillaged, statuettes were developed as substitute mummies in case anything were to come of the real one. Photography presents itself as objective and real.

Probably, his worsening health condition and his immense love for photography and cinema drove him into a philosophical contemplation about death and reach a conclusion that photography is the last word in argument with death.

The artist and his genius are not present in photography like in painting.

Influential Theorists: Andre Bazin – The Ontology Of The Photographic Image – The Motley View

It was meant to awaken people from a false reality and a false consciousness. By continuing to use this website, you agree to their use. Photography and film can make us believe things that may or may not be not real. Distinguishing between photography and the traditional plastic arts, sculpture and painting, by positing that photography is a reproduction and not an ersatz fails; photography — as we have both come to the position — is both a replacement and a reproduction of reality.

However I believe that this point is too harsh. South Yorkshire England View all posts by A. Log In Sign Up. Just another Sites at Lafayette College site. Discuss the French term for the lens objectif and its relation to the photographic sensibility. Save my name, email, and website in this browser for the next time I comment.

Realism strips bare those preconceptions which, to Bazin, we accumulate through the passage of time like dust settling on furniture. Remember me on this computer. What Bazin means here is that the reality is automatically captured by the mechanical object called a lens and the man photographer is absent from the entire process of re-producing the reality photograph. This is what Walter Benjamin argued about photography and film.

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Why do I think so? Your email address will not be published.

Jamie L. Brummitt, PhD

Film takes andrw to another level. The photograph is no more real than a painting or sculpture but to Bazin it reproduces reality rather than creates an ersatz, or replacement, as does sculpture. University of California Press Ltd,pp. Why or why not? According to Bazin, today no teh recognizes the ontological link between the body and a representation: This objectivity and realism, however, are only constructions of the mechanical processes of photography.

He thinks that what makes painting inferior is the excessive struggle of the artist, with so much hands-on involvement to make the painting as close as possible to reality and photography on the other hand is so successful in re-producing reality without much intervention of man.

Andre Bazin is undoubtedly a famous figure in film criticism and film theory. Reality is iage from the thing to the reproduction. With the birth of photography came the birth of photo modification and editing and films such as The Cabinet of Dr. Therefore to Bazin photography and Cinema, in the realist style, is a gust of wind which blows away the dust ontollgy settles on our way of seeing. Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact.

Help Center Find new research papers in: Your email address will not be published. Reblogged this on panyingfei. Bzzin are commenting using your Twitter account. The opposite is true for Benjamin.

FYI — I read the biographical information in Ov. A photograph is of a specific moment in time and a specific place, while art can be of any moment in any place which is why Bazin argues that a painting is more eternal than a photograph. The process might reveal that at the origin of painting and sculpture there lies a mummy complex.

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Bazin may have argued, however, that the counter-position — that photography is not objective — incorrectly translates his proper position. I disagree if he meant it in literal sense.

Painting and sculpture could aesthetically and emotionally capture the object but failed, in comparison with photography, to capture the physical characteristics of an object. However, it is my opinion that though, Bazin generalized mummy complex to humankind, he himself was somehow fascinated with the concept of human immortalization after death and the various ways people tried to achieve it tne painting, sculpture etc.

The cart refers back to the painter and his paint.

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André Bazin, “The Ontology of the Photographic Image” () – Jamie L. Brummitt, PhD

However the mechanical process of photography was produced by the human hand and could be seen as an extension of the human touch ahdre the human touch made mechanical.

Photography and film are hallucinations and un-real worlds. You are commenting using your Facebook account. To preserve, artificially, his bodily appearance is to snatch it from the flow of time, to stow it away neatly, so to speak, in the hold of life. They lose their aura originality, subjectivity, production history and trick the masses into believing that a constructed reality is reality.

And Bazin believes that this reproduction is treated, commonly, as if it is the object. This objective production affected our psychology of the image. Photography creates a realism that is not of this world.