40 són dues composicions per a piano sol de Frédéric Chopin escrites el , 1, anomenada Polonesa militar, està en la tonalitat de la major i la núm. Polonesa No.3 – Op No.1 “Militar” en La Mayor. By Frédéric Featured on Arthur Rubinstein: Chopin – 6 Polonesas 4 Scherzos. More by Frédéric Chopin.
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Polonesas, Op. 40 (Chopin) – Wikipedia, la enciclopedia libre
Waltzes Grande valse brillante, Op. Re-sampled to dpi, cleaned up, and deskewed. This piece is played in the famous scene in the Polish film Ashes and Diamonds at the end of an all-night party celebrating the end of the war. MP3 file audio C. Creative Commons Attribution-NonCommercial 4.
Milifar ; Dances ; For piano ; Scores featuring the piano ; For 1 player ; For 2 pianos 8 hands arr ; For 4 players ; For violin, piano arr ; For 2 players ; Scores featuring the violin ; For organ arr ; Scores featuring the organ ; For piano left hand arr ; Scores featuring the piano left hand ; For violin, cello, piano arr ; Scores featuring the cello ; For 3 players.
Retrieved from ” http: This page was last edited on 28 Marchat Allegro con brio A major’Military’ Allegro maestoso C minor. The beginning of this piece is used as the interval signal for Polskie Radio.
Editor Karl Klindworth Xaver Scharwenka The piece is almost entirely played forte or louder, which makes for a bombastic performance. The key then changes into D major in the middle of the polonaise for a trio section, after which the opening is repeated with no changes except disregarding the repeat signs. Arranger William Thomas Best — Arranger Smith Newell Penfield — This file is from the MIT archive project.
Editor Lothar Windsperger Maurice Senart The beginning opens with an A major chord and continues in a typical polonaise rhythm. Editor Emil von Sauer Editor Mmilitar Kullak In Season 3, episode 2 of Rectify, the closing credits roll to the A major Polonaise after Teddy is shown stalking Tawny, his estranged wife.
Polonaises Op. 40 (Chopin) – Wikipedia
This file is part of the Sibley Mirroring Project. The second polonaise’s main theme, a contrast to the majestic and joyful one in the first, features an even rhythm of quaver chords in the right hand starting with C minorand a mournful melody played in octaves by the left, with occasional lines played by the right hand.
Anton Rubinstein remarked that the Polonaise in Chopjn major is the symbol of Polish glory, whilst the Polonaise in C minor is the symbol of Polish tragedy. Editor Carl Mikuli Arranger Antoni Cink —