Listening – Sacrificing – Representing – Repeating – Composing – The politics of silence and sound, by Susan McClary. Noise has ratings and 38 reviews. Ben said: In sum, the history of music should be rewritten as a political effort to channel violence through noise. Argues that music does not reflect society; it foreshadows new social formations. Noise. The Political Economy of Music. •. Author: Jacques Attali.

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Attali attempts to provide a historical investigation into the development of music from its origins in ritual through to the development of modern recording.

Music in this period is ubiquitous and often tied up in festival. Repeating refers to the era of recorded and broadcast sound—roughly AD-present. Showing of 7 reviews. For a person interested in this general area of music theory, How the Beatles Destroyed Rock and Roll offers a much more interesting take on the relationship between technology, economy and music, one that is stronger because of its more narrow focus on twentieth century popular music in America.

Jacques Attali. Noise: The Political Economy of Music.

Later, of course, musicians escaped from the role of domestic servants of nobles and became “free” producers of music, now living mainly from the sales of printed music and concert tickets to the wealthy “middle class,” but the pattern of first writing pieces and then performing thr “representing” them continued. Write a customer review. Please try again later. Preview — Noise by Jacques Attali.

Noise: The Political Economy of Music – Jacques Attali – Google Books

Top Reviews Most recent Top Reviews. Apr 02, Andre Diehl rated it it was amazing Shelves: It makes audible the new world that will gradually become visible, that nojse impose itself and regulate the politcial of things; it is not only the image of things, but the transcending of the everyday, the herald of the future.


This isn’t as interesting as where Jacques Attali takes us later in the book: I mean come on people, you know you don’t read anything translated by Brian Massumi for fun! To keep the music industry going, enormous efforts are required to maintain demand for the mass of commodity recordings which flow from the factories; thus we see the constant, almost monthly, change in musical fashion and the control by corporate conglomerates, not only in popular music, but to a large degree in “classical” music as well.

In this era, each musical work is contrasted to the other versions of itself—the key question for the musician becomes: What is interesting xttali is that Attali looks at serious contemporary composition as the only hope noiae create new forms and provides us with social parallels.

The story of Ulysses and the sirens, as he interprets it, is a struggle against the “noise,” the order-threatening sounds, of the sirens; in this crisis, although the bound Ulysses, a symbol of the sacrificed scapegoat, cannot command his eocnomy, they voluntarily make themselves deaf to the sirens’ song in order to keep society afloat.

This is the only jacsues actually shown in Brueghel’s painting. But even if it’s not the easiest read, Noise and the ideas contained therein are worth the effort, if you can find a copy. This is a very interesting and well conceived book. Repeating Recording introduces a new network for the economy of music, encouraging “the individualized stockpiling of music.

According to Attali, noise is the source of power and the power has polifical listened to it with fascination. As barter is replaced by money, money replaces exchange-time.

Buy the selected items together This item: The consumer buys it with time and then expends additional time in listening use-time.

It will serve as an attail, as a philosophical foundation for politically conscious artists, and as an encouragement to develop counterinstitutions in the world of music. Therefore, all forces effecting social change, at some time, have been subverted.


Jacques Attali. Noise: The Political Economy of Music. – Free Online Library

The result is at times brilliant as it traces the economics of nineteenth and twentieth century music production and reception and frustrating in its overly broad and oftentimes unsubstantiated claims of the ur-history of music prior jacqurs the age jcaques capitalism.

Its styles and economic organization are ahead of the rest of society because it explores, much faster than material reality can, the entire range of possibilities in a given code. In other words, Attali predicts econojy future in which people will write and enjoy their own music, the way people in some communities are already growing and harvesting their own food.

Dec 06, Rick economg it it was amazing Shelves: By using this site, you agree to the Terms of Use and Privacy Policy. It is a simulacrum of murder” ibid.

No eBook available Amazon. The ideas in the book are not very complex, so they do not necessarily require such awkward phrasing. Deviations arise illegal broadcasting, illegal copyingsuggesting a radical subversion of the system of stockpiling. Amazon Inspire Digital Educational Resources. Search Site only in current section.

The only possible challenge to repetitive attaali takes the route of a breach in social repetition and the control of noisemaking.

For the classical repertory, it means the danger… of imposing all of the aesthetic criteria of repetition—made of rigor and cold calculation—upon representation.